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About Varied / Hobbyist Official Beta Tester Eva Z.28/Female/Slovakia Groups :icontreelovers: TreeLovers
Where the leaves whisper
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MirachRavaia
Eva Z.
Artist | Hobbyist | Varied
Slovakia
I am the song brought with the wind
Ever present, but never seen
A old as hills, as deep as sea,
forever young, forever free.

My other account: :icondreams-of-arda: - the house of my Middle-earth collection

Personal Quote: To learn how to use a sword, one must first master when to use a sword
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Talks with Tolkien artists: RobleskaZeppelin

Journal Entry: Mon Oct 27, 2014, 7:17 AM


In today's interview, I would like to introduce you a Czech student and hobbyist artist,  :iconrobleskazeppelin: - RobleskaZeppelin:


I hate him by RobleskaZeppelin Idril, Earendil, Tuor by RobleskaZeppelin
Aredhel, the white lady by RobleskaZeppelin Finrod vs. Sauron by RobleskaZeppelin
Tuor as an outlaw by RobleskaZeppelin Elwing running away by RobleskaZeppelin


1.  Hello! For the beginning, could you tell us something about yourself?


Hello! My name is Šárka, pronnounced Sharkah. I’m a 20 years old student of biology at Charles university in Prague. I come from the south of Czech Republic (the country with beer) , from beautiful South Moravia (the region of wine). I have a tarantula called Ungoliant and I love everything related to J.R.R.Tolkien.

2. When did you read Tolkien's books for the first time, and what impression did they leave in you?

When I was 10, I found an interesting book in a bookshelf in our livingroom. It had some strange runes on the cover and there was an illustration of a dragon at the spine of the book. Of course, it was the Hobbit. The book impressed me a lot with something I could not describe. If you remember the feeling that Bilbo had in the first chapter, when the dwarves were singing in his hole and when he was looking out the windows to the nocturnal scenery – that was exactly what I felt. The desire to wander in the mountains, discover secrets long forgotten, see the wonders of the world, cross through no-man’s lands, leave the comfort of home… After a while there was this LOTR movies mania that passed around me with no consequences, but when I realized that the Trilogy comes from the same author as the Hobbit, it all could fully begin. Not speaking about the Silmarillion. Professor’s books lead me through the whole adulthood, and they lead me now as well.

3. How extensive is your knowledge of Middle-earth? Do you consider yourself Tolkien expert?


No, not at all. Tolkien’s legacy is my hobby, I especially love investigating the maps and learning the family trees of Eldar and Edain, but…Who can call themselves Tolkien expert? Maybe the professor himself? :-) (Smile) It is also true that I’ve learned much by collecting informations necessary for drawing and painting pictures.

4. When the movies came out, many of the inner pictures of characters and scenes in the mind of the readers have been replaced by actors and settings from the movie. Did it happen to you as well? Did you try to prevent it?

I adore PJ‘s Trilogy, much more than the Hobbit. I saw the moives before I read the book and I can’t imagine them in another way. In my opinion, the choice of actors is accurate. That’s also why I don’t do much Trilogy illustrations: it is not challenging enough, while all the scenes and faces are so wonderfully depicted.

5. Now, could you tell us something about you and art? Are you a professional artist, or is art just your hobby? When did you start doing it, and who or what influenced your style?

I am a pure hobbyist. It is not easy to say when I started painting, actually I’ve never stopped doing it, since I was a small child. The person that had always given me much good advise is my dad, who is an amazing artist in many ways!

6. How do you choose which scenes and characters to illustrate?

I love painting scenes that were not much portrayed before, as well as classical issues as Beren and Lúthien. Now I have a long lists of scenes and characters to paint. So I choose what to paint usually according to my current mood and taste. Sometimes it happens to me that I don’t feel skilled enough for a long time to paint a scene, but then I just accept it as a challenge and it simply works.

7. What art technique is your favourite? Do you rather keep to the art techniques and styles you are familiar with, or do you experiment with new ones as well?

I’ve always loved watercolor and it is the medium I feel most sure in and also the medium with admirable possibilities and effects. The problem is that I have no basis, so my paintings used to be difficult - I used to use the watercolors the way as oils or acrylics and now I have to learn so much! So when I’m experimenting, it’s only within the radius of watercolor techniques.

8. Do you have some tips and tricks you would like to share with the other artists?

I don’t feel skilled enough to give advise here, in the environment of hundreds ingenious artists, but if I had to: Try to accept new and new challenges! It can kick you very much forwards.

9. Could you give us a link or thumbnail from your gallery of
- a Tolkien illustration you are most proud of?
The two trees of Valinor IV by RobleskaZeppelin

- a picture from other fandom or original picture you are most proud of?
Evening in the hills by RobleskaZeppelin

- a picture that fits your current mood?
Rhovanion-the brown lands by RobleskaZeppelin

- a picture that was hardest to paint?
Beren Meets Luthien by RobleskaZeppelin

- any other picture you would like to share with us and why?

Orome hunting beasts by RobleskaZeppelin
I’d like to share this painting because it was the first one where I achieved the atmosphere I planned.

10. What key people in your life, (on or off of dA) have been inspirations to you, or has supported you, as an artist? You can also tell us why, if you want.

I’m supported by my family a lots. My dad is suporting the artistic side of my pictures, while my brother always cheers me up to produce new Tolkien illustrations. Then there are my friends from the University. Without them I would lose a huge part of my will do paint. And also a huge thanks to all supportive lovely people on DA. And I have to thank to Jacek Yerka, my favorite painter, whose paintings are full of inspiration.

11. Is there some artist(s) at dA you know, who doesn't have as much attention as they would deserve?


These people are very inspiring, lovely and their art is amazing. I don’t know, whether they have as much attention, as they deserve, or no, but take a look at their gallery, if you can!
:iconbrunild:, :icongawarin:, :iconviolletcz:, :iconmoi-keiniku-sang:, :iconneral85:, :iconakitku:

12. Is there something else you would like to tell to the fans of Tolkien and your art?

Thanks to anyone who gives favorites and writes comments about my art; thanks to all Tolkien and fantasy artists for so much inspiration! And thank you for the possibility of this interview! :-) (Smile)

You are welcome! :) I thank you as well for your time and answers!

Previous talks:Bullet; Blue with Gold-Seven fav.me/d6aprnx
                            Bullet; Blue with steamey fav.me/d6bx1lc
                            Bullet; Blue with ekukanova fav.me/d6dzooz
                            Bullet; Blue with Tulikoura fav.me/d6gqc7f
                            Bullet; Blue with AbePapakhian fav.me/d6l0qap
                            Bullet; Blue with kimberly80 fav.me/d6nt0jo
                            Bullet; Blue with jankolas fav.me/d6o41tp
                            Bullet; Blue with jgilronan fav.me/d720ty2
                            Bullet; Blue with ebe-kastein fav.me/d7432vw
                            Bullet; Blue with MatsumotoSensei fav.me/d76jc7r
                            Bullet; Blue with TurnerMohan fav.me/d78r8wr
                            Bullet; Blue with ullakko fav.me/d79rfcc
                            Bullet; Blue with batwinged-squirrel fav.me/d7aoebk
                            Bullet; Blue with wolfanita  fav.me/d7awlf3
                            Bullet; Blue with marisoly  fav.me/d7awlg4
                            Bullet; Blue with kaijukid  fav.me/d7n5duj
                            Bullet; Blue with faQy  fav.me/d7ox700
                            Bullet; Blue with hitogata / kittykatkanie  fav.me/d7qsais
                            Bullet; Blue with spiegelscherben  fav.me/d7r6bdi
                            Bullet; Blue with The-Black-Panther  fav.me/d7r8jjz
                            Bullet; Blue with SceithAilm  fav.me/d7vtf2s
                            Bullet; Blue with Candra Talks with Tolkien artists: Candra
                            Bullet; Blue with evankart Talks with Tolkien artists: evankart
                            Bullet; Blue with greensap Talks with Tolkien artists: greensap
                            Bullet; Blue with DonatoArts Talks with Tolkien artists: DonatoArts


Rohirrim journal skin.

Horse head 2009 - Grinmir-stock
Texture by kizistock
Knotwork by gbrgraphix

Winners of the *Best of Trees* Photography Contest

Journal Entry: Wed Oct 15, 2014, 2:03 AM




This is a feature of the winners of the "Best of Trees" Photography contest held by our affiliate group
:icontrees-with-character:

:iconamongststars::icon1st2plz::icon1st3plz::iconspotlightplz: First Place :iconspotlightplz::icon1st2plz::icon1st3plz::iconamongststars:
:iconlarosedepetitprince:LaRoseDePetitPrince
With:
Welcome to the fairytale
Welcome to the fairytale by LaRoseDePetitPrince
More from Her Gallery:
Fall(ing) by LaRoseDePetitPrinceI set fire to the rain by LaRoseDePetitPrince
Moonlight hymn by LaRoseDePetitPrincePicturesque autumn by LaRoseDePetitPrinceLa reflexion by LaRoseDePetitPrince



:iconamongststars::icon2nd2plz::icon2nd3plz::iconspotlightplz: Second Place :iconspotlightplz::icon2nd2plz::icon2nd3plz::iconamongststars:
:iconlosgeloest:losgeloest
With:
chasing dreams
chasing dreams by losgeloest
More from His Gallery:
alley of uncertainty by losgeloestthe beauty of autumn by losgeloest
bloody forest by losgeloestcolors of autumn by losgeloestdreamy by losgeloest



:iconamongststars::icon3rd2plz::icon2nd3plz::iconspotlightplz: Third Place :iconspotlightplz::icon3rd2plz::icon2nd3plz::iconamongststars:
:iconwillaustinsarchive:WillAustinsArchive
With:
Tree of Light
Tree of Light by WillAustinsArchive
More from His Gallery:
Winter is Burning by WillAustinsArchiveAutumn by WillAustinsArchiveAutumn Curves by WillAustinsArchive
Winter is Ablaze by WillAustinsArchiveBlossom by WillAustinsArchive



:star::iconamongststars::iconswingonastarplz: Runners Up :iconswingonastarplz::iconamongststars::star:

:iconheikogerlicher:HeikoGerlicher With:
ray of light
ray of light by HeikoGerlicher

:iconyoumitori:Youmitori With:
Spark of live
Spark of live by Youmitori

:iconacoresjo88:acoresjo88 With:
holiday hut
holiday hut by acoresjo88



:star::iconamongststars: Honorable Mentions :iconamongststars::star:

Crawling out by gigi50 Light in photography by TomaszPrzybylo
Gold leafs by XeniaChowaniec dusty evening by vularia


Talks with Tolkien artists: DonatoArts

Journal Entry: Wed Oct 15, 2014, 1:48 AM


The interview with a professional illustrator Donato Giancola, who has a deviantArt account as :icondonatoarts: - DonatoArts was conducted a bit differently than the rest of the talks. When I asked for it, he directed me to his extensive FAQ page www.donatoart.com/faq.html , where he already answered many of the questions I meant to ask. So, most of the answers are taken from there, and he only added the answers to my other questions. He already added them to his FAQ as well, so if you are interested in reading a more detailed talk about his work and art, I recommend visiting his page. You can also learn more about his painting technique here: www.donatoart.com/technique/te…

Nienor and Glaurung by DonatoArts Galadriel and Aragorn by DonatoArts
Eowyn DefenderofRohan by DonatoArts Gandalf in Moria- The Three Doorways by DonatoArts
Turgon defending Gondolin by DonatoArts OneRing-BagEnd-donato-900 by DonatoArts


1. Hello! For the beginning, could you tell us something about yourself?

I was born (in 1967) and raised in Colchester, Vermont, USA, a township near Burlington. After graduation from Syracuse University I moved to New York City and have resided and worked in Brooklyn since 1993. My wife and I have two daughters.

2. When did you read Tolkien's books for the first time, and what impression did they leave in you?

I first read The Lord of the Rings when I was 13. Without exaggeration, those books changed my life. The elaborately detailed fantasy, the plot's epic sweep, and the characters' classically heroic qualities grabbed hold of me and never let go. I obsessed over them, frequently referring to the appendices at the end of The Return of the King: Who was Beren? How old Moria? When was the First Age? It took forever to read each chapter as I referenced names, places, and events in those notes: each offered a trip to another time and a story as complex as the tale I was engrossed within. Very so afterwards The Lost Tales, Unfinished Tales and The Simarillion were a part of my canon after reading them at my local library.

I still have the books I first read, with paperback covers by Darrell Sweet. A few years ago I was fortunate enough to be able to purchase his original cover painting for The Hobbit. It hangs in a place of honor in my entry hall.

3. How extensive is your knowledge of Middle-earth? Do you consider yourself Tolkien expert?

I would not consider myself an expert on Tolkien, any more than I would call myself a master oil painter.  Labels are for others to place.  I will state I have thoroughly read The Hobbit, The Lord of the Rings, The Silmarillion, Unfinished Tales, Book of Lost Tales I and II, The Lays of Beleriand, the Children of Hurin, and have begun reading the further collected notes by Christopher Tolkien.  Can I write messages in Elvish? No.  But I can hold a conversation on Beren and Luthien and their trip into Angband, discuss the building of Orthanc, or talk about the time Sauron was seen as a friend to the Elves and helped them forge the rings of power... So , yes I know my Middle-earth lore quite extensively, but am not a fact checker.

4. When the movies came out, many of the inner pictures of characters and scenes in the mind of the readers have been replaced by actors and settings from the movie. Did it happen to you as well? Did you try to prevent it?

When the recent movies interpreting the Lord of the Rings were released, many artists became heavily influenced by what they saw onscreen.  A movie is a very powerful form of artistic expression through the use of atmospheric lighting, movement through time, experiences of scale and immersive sound- it is easy to have the world view of the content dictated by what happens on the big screen.  Luckily I am not one of those easily swayed.  

That is not to say there are designs and elements which I found utterly compelling to absorb and enter into my visual language of painting, but rather my expression of Tolkiens’ Middle-earth was set long and very deeply before the movies were released.  One of the major pivotal experiences came when I was 16 years old and a friend handed me the Tolkien Bestiary edited by David Day and included the amazing work of Allan Curless, John Blanche, and most importantly Ian Miller.  Here in my hands was a stunning collection of art inspired by the words of Tolkien, and all of it through various artistic expressions.  This pluralistic tome made it easy to see my own art as a valid form in interpreting and adding to the voices singing the praises of Middle-earth.  It has been that way ever since.  Each new artist I discovered interpreting Tolkien was just another voice in the chorus. Peter Jackson now takes a seat next to Alan Lee, Ted Nasmith, John Howe, Darryl Sweet, David Wenzel, etc...  All equal, and none better than another.  Just different.

Thus I did nothing special when I experienced the films in order to protect that artistic voice I hold.  It was so deeply rooted that the movies blew past like a wind storm, dropping their wonderful treasures about my play space.  And when they are gone I will continue in my journey in seeing Middle-earth as a conversation between me and J.R.R Tolkien...


5. Now, could you tell us something about you and art? Are you a professional artist, or is art just your hobby? When did you start doing it, and who or what influenced your style?

Drawing was my passion pretty much from the time I could hold a crayon. Throughout childhood and adolescence I made models and toys, copied pictures of military hardware and spaceships, and produced 8mm films. Dungeons & Dragons particularly channeled my creative energies. To support my avid play, I painted lead figurines and created detailed maps and character drawings. (One of the more elaborate maps hangs in my studio today.)

Art was a passion, but only a hobby, as my formal art training came late. After starting in electrical engineering at the University of Vermont, I dropped out that course of study in the middle of my third semester. My grades were fine, but I felt frustrated with and unmotivated by the lack of creativity in engineering classes. Uncertain of my path, I enrolled in an art course for my very first formal lesson. After creating some horrible oil paintings, I realized I needed guidance - lots of guidance.

In 1989, I enrolled at Syracuse University, majoring in fine art painting. The exceptional faculty at SU introduced me to the key concepts that underpin all great art: color theory, composition, anatomy, paint techniques, experimental drawing, and post-modern, modern and abstract theorizing. SU also gave me a studio, and I spent nearly all my free time in it, working not only on class assignments but also on numerous personal projects. I worked relentlessly during my three years at Syracuse, finishing my BFA in 1992.

I find inspiration through studying the world's greatest art masters, in the real world about me, and in photography. Some of each of these elements can be found in my most successful works.

Some of my favorite painters are Hans Memling, Jan Van Eyck, Velazquez, Caravaggio, Vermeer, Rembrandt, Ribera, Rubens, Titian - and Mondrian. I strive to bring their complexity into my work, melding classical aesthetics with modern abstraction.

You can see both types of influences in some of my illustrations. For example: Cartographer is inspired by Lorenzo Lotto's portraits; the dense compression of figures in Faramir at Osgiliath combines Caravaggio-like renderings with Modrian's surface patterning; and the vertical columns in Ashling recall Barnet Neuman while building upon the atmospheric illusions of Van Eyckian perspectives.

Visiting the actual paintings is what most inspires me. While images of many great paintings can be readily found in books, nothing impresses as much as being in the presence of the real works. How can a book convey the almost overwhelming scale of a 16' by 10' Velazquez painting, with life-sized figures? Or the squinty, exquisite detail of a tiny, 8Ó x 12Ó Van Eyck? I habituate the many great museums in my home city, New York, and no vacation is complete without a pilgrimage to another great art museum.

6. How do you choose which scenes and characters to illustrate?

I have always sought great challenges in my art. To this end when looking for inspiration to illustrate novels and stories, I have always attempted to render those moments which are ill described or fleeting in nature, yet capture the essence of the characters and narrative. Simple 'domestic' scenes are difficult to compose to appear compelling, yet a successful painting in this manner can carry much more power than a heroic battle scene. Consider your reader and viewer, they most likely have never experienced the intensity of conflict nor the range of extremes most heroes travel through. It is upon a common ground of emotion with which I attempt to build my narratives. And it is with these simple scenes that J.R.R. Tolkien makes us feel the humanity of his characters; the depths of utter darkness in Moria; Merry and Pippin smoking pipe weed after the destruction of Isengard; Frodo and Sam cooking a brace of rabbits in the Shadow of Mordor.

7. What art technique is your favourite? Do you rather keep to the art techniques and styles you are familiar with, or do you experiment with new ones as well?

My studio contains many different oil paints, brushes, turpentine, linseed oil, palettes, paper, Masonite, panels, art boards, rags, easels, photographs, cameras, mat boards, frames, studio lights for photographing models, and props for the models (cloths, costumes, etc.). My shelves are filled with books of reference for costumes, landscapes and architectural designs. My office contains, a computer, printer, various papers, templates, rulers, etc.

The most necessary and favorite tool I could never do without is a pencil.

Currently the increasing presence of digital illustration with its faster production time and on-the-fly-changes is shrinking the market for traditional illustrators who work by hand. Nonetheless, those with creative ideas and the strong skills to realize them can still find a niche. Furthermore, digital hardware still does not substitute for a powerful idea, strong composition, and developed narratives which form the foundation for all quality art, no matter how it is made.

8. Do you use references?

When creating an illustration I primarily work from photos but always produce gesture drawings from live figures. The many happy accidents and discoveries that occur from real life cannot be anticipated or made up. I use these gesture drawings as springboards for the final illustrations and paintings.

I don't use 3D models in creating my architecture, dragons or aliens - not from lack of desire but rather from my inability to create a nice miniature.


9. Do you have some tips and tricks you would like to share with the other artists?

Practice. Practice. Practice. Visit galleries, exhibitions, other artists studios, and museums. Take art classes and try to draw things you like. Learn to struggle. Challenge yourself constantly and learn to draw people.


10. Could you give us a link or thumbnail from your gallery of
- a Tolkien illustration you are most proud of?
'I threw down my enemy' - Gandalf on Zirak-zigil by DonatoArts

- a picture from other fandom or original picture you are most proud of?
Joan of Arc by DonatoArts

- a picture that fits your current mood?
Bag End - Shadow of the Past by DonatoArts

- a picture that was hardest to paint?
Huor and Hurin Approaching Gondolin by DonatoArts

Thank you for your time and answers!

Previous talks:Bullet; Blue with Gold-Seven fav.me/d6aprnx
                            Bullet; Blue with steamey fav.me/d6bx1lc
                            Bullet; Blue with ekukanova fav.me/d6dzooz
                            Bullet; Blue with Tulikoura fav.me/d6gqc7f
                            Bullet; Blue with AbePapakhian fav.me/d6l0qap
                            Bullet; Blue with kimberly80 fav.me/d6nt0jo
                            Bullet; Blue with jankolas fav.me/d6o41tp
                            Bullet; Blue with jgilronan fav.me/d720ty2
                            Bullet; Blue with ebe-kastein fav.me/d7432vw
                            Bullet; Blue with MatsumotoSensei fav.me/d76jc7r
                            Bullet; Blue with TurnerMohan fav.me/d78r8wr
                            Bullet; Blue with ullakko fav.me/d79rfcc
                            Bullet; Blue with batwinged-squirrel fav.me/d7aoebk
                            Bullet; Blue with wolfanita  fav.me/d7awlf3
                            Bullet; Blue with marisoly  fav.me/d7awlg4
                            Bullet; Blue with kaijukid  fav.me/d7n5duj
                            Bullet; Blue with faQy  fav.me/d7ox700
                            Bullet; Blue with hitogata / kittykatkanie  fav.me/d7qsais
                            Bullet; Blue with spiegelscherben  fav.me/d7r6bdi
                            Bullet; Blue with The-Black-Panther  fav.me/d7r8jjz
                            Bullet; Blue with SceithAilm  fav.me/d7vtf2s
                            Bullet; Blue with Candra Talks with Tolkien artists: Candra
                            Bullet; Blue with evankart Talks with Tolkien artists: evankart
                            Bullet; Blue with greensap Talks with Tolkien artists: greensap


Rohirrim journal skin.

Horse head 2009 - Grinmir-stock
Texture by kizistock
Knotwork by gbrgraphix

NaNoWriMo + my fanfiction

The Heart of the Mountain - synopsisA man knelt on the blood-soaked battlefield. He was the last one. The last of the Ar-Venui, the Swords of Death: Nothing to live for, just looking for something to die for. A sword was hanging above his head. The last rays of the dying sun were like a road to the oblivion…
And the sword did not fall.
---
I am your only faithful one:
the lover of your pains
And when fate rides a chariot
them I'm holding the reins
Listen!
A song beats in your veins

---
Once, long ago, Ar-Tenil had a wife, and a son that had to be born soon. Then the Lowlanders came to conquer the Mountains and discover the place of a great power from an old legend – The Heart of the Mountain. He never heard of that place. The chaos of fight, one moment, one decision. He saved many lives that day – but for them, his wife died. Now he is looking for the sons of the women he saved, to take them as a repayment of their debt, and train them as the new Ar-Venui. But a surprise awaits him - not all of them


My stories from Middle-earthI usually do not post my fanfiction stories here at dA (and won't until they enable to post multi-chaptered stories as one deviation, otherwise it would make a mess in my gallery...) I post them under my fanfiction.net: http://www.fanfiction.net/u/1740140/Mirach and Stories of Arda account: http://www.storiesofarda.com/author.asp?AuthID=2706
Now I got the idea to post at least the links to them here, together with the banners and illustrations. My stories feature mostly Aragorn, and several also Eärendil, but there are a few with other characters as well. I will update this journal when I post a new story.

:new: No Regrets and Riddles in the Dark - in "other one-shots" (posted some time ago, but I forgot to update this journal
IN PROGRESS
:icontolkienplz:

Art for Trees & Treasure hunt!

:icontreehuggerplz: Art for Trees - project:iconspringtree-1plz::iconspringtree-2plz::iconspringtree-3plz::iconspringtree-4plz::iconspringtree-4pl5:
"When is the best time to plant a tree? Twenty years ago. The second best time? Today."
- Chinese proverb
2014: This is the 3rd year of the project. There are many people supporting it, featuring it in their journal and offering art. BUT... There have been NO trees planted for it in the last year (I don't count mine). So, instead of talking about it, how about getting up and actually planting a tree, if you are able to? There is a lot of wonderful art waiting for you as a reward!
Trees are important, valuable and necessary to our very existence. It's not too hard to believe that, without trees we humans would not exist on this beautiful planet. Trees are the largest and longest living organisms on earth. To grow tall the tree has become a miracle of engineering and a complex chemical factory. It is able to take water and
:icontreehuggerplz:
:? sifro. - solve the codes and win points! IMPORTANT: the login into the submmitting system currently doen't work. I'll try to fix it somehow, but until then, the "Try it without login" link still works. If you submit the solution to a cipher, it will give you a link to the next one. It just won't remember your position in the game, so better save that link, or remember the solution so you can get it again.
:new: July/7/2014 - After a year and half, we finally have a next winner! It's Dimensionwalker21, winning 360 points. Congratulations!
Dec/24/2012 - We have a next winner! It's WintersRead, winning 306 points!
Nov/11/2012 - The second winner is nuvak! He generously refused the point reward, so there is still a lot of points in the pool for the next winner!
Oct/12/2012 - We have the first winner! It's ninquetari, who wins 475 points!
The easy day was yesterday! Today, the game begins! And It's just in time for dA's birthday! :D
IMPORTANT LINKS:
:?

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:iconthefavouriteshowcase: :iconcrcommunityprojects: :iconelves-of-tolkien: :icontreelovers: :iconthegreenmangathering: :icondetective-hq: :iconofberenandluthien: :iconthelotrclub: :iconarda-inspired: :icontreephotographers:

Contests around dA

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:iconnataelineldormiel:
NataelinEldormiel Featured By Owner 1 day ago  Student General Artist
Thank you so much for the fav, it means a lot to me. :hug:
Lovely ID pic ^^
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:iconakitku:
akitku Featured By Owner 2 days ago  Hobbyist Traditional Artist
Thank you so much for the fav! :hug:
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:iconbrunild:
Brunild Featured By Owner 3 days ago   Traditional Artist
Thank you so much for the favs!! :heart:
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:iconmeasels:
Measels Featured By Owner 3 days ago
Thanks for the :+fav:!
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:icontamsinmwong:
TamsinMWong Featured By Owner 4 days ago  Hobbyist General Artist
Thanks for the faves! :D (Big Grin) 
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:iconmiirex:
miirex Featured By Owner 6 days ago  Hobbyist Photographer
Thanks for the fav!
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:iconfaerietopia:
Faerietopia Featured By Owner 6 days ago  Professional General Artist
Thank you for adding To Find Our Long Lost Pot Of Gold to your favorites!!! Love Love Love 
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:iconloonalucy:
LoonaLucy Featured By Owner 6 days ago
Thank you very much for the favorite!:) (Smile)
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:iconjabberbabywocky645:
JabberBabyWocky645 Featured By Owner Oct 23, 2014  Hobbyist Traditional Artist
Thank you for the :+fav:s! :)
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:iconrina-from-shire:
Rina-from-Shire Featured By Owner Oct 21, 2014  New member Hobbyist Traditional Artist
Thanks for the fave!
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