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About Varied / Hobbyist Official Beta Tester Eva Z.28/Female/Slovakia Groups :icontreelovers: TreeLovers
Where the leaves whisper
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MirachRavaia
Eva Z.
Artist | Hobbyist | Varied
Slovakia
I am the song brought with the wind
Ever present, but never seen
A old as hills, as deep as sea,
forever young, forever free.

My other account: :icondreams-of-arda: - the house of my Middle-earth collection

Personal Quote: To learn how to use a sword, one must first master when to use a sword
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Winners of the *Best of Trees* Photography Contest

Journal Entry: Wed Oct 15, 2014, 2:03 AM




This is a feature of the winners of the "Best of Trees" Photography contest held by our affiliate group
:icontrees-with-character:

:iconamongststars::icon1st2plz::icon1st3plz::iconspotlightplz: First Place :iconspotlightplz::icon1st2plz::icon1st3plz::iconamongststars:
:iconlarosedepetitprince:LaRoseDePetitPrince
With:
Welcome to the fairytale
Welcome to the fairytale by LaRoseDePetitPrince
More from Her Gallery:
Fall(ing) by LaRoseDePetitPrinceI set fire to the rain by LaRoseDePetitPrince
Moonlight hymn by LaRoseDePetitPrincePicturesque autumn by LaRoseDePetitPrinceLa reflexion by LaRoseDePetitPrince



:iconamongststars::icon2nd2plz::icon2nd3plz::iconspotlightplz: Second Place :iconspotlightplz::icon2nd2plz::icon2nd3plz::iconamongststars:
:iconlosgeloest:losgeloest
With:
chasing dreams
chasing dreams by losgeloest
More from His Gallery:
alley of uncertainty by losgeloestthe beauty of autumn by losgeloest
bloody forest by losgeloestcolors of autumn by losgeloestdreamy by losgeloest



:iconamongststars::icon3rd2plz::icon2nd3plz::iconspotlightplz: Third Place :iconspotlightplz::icon3rd2plz::icon2nd3plz::iconamongststars:
:iconwillaustinsarchive:WillAustinsArchive
With:
Tree of Light
Tree of Light by WillAustinsArchive
More from His Gallery:
Winter is Burning by WillAustinsArchiveAutumn by WillAustinsArchiveAutumn Curves by WillAustinsArchive
Winter is Ablaze by WillAustinsArchiveBlossom by WillAustinsArchive



:star::iconamongststars::iconswingonastarplz: Runners Up :iconswingonastarplz::iconamongststars::star:

:iconheikogerlicher:HeikoGerlicher With:
ray of light
ray of light by HeikoGerlicher

:iconyoumitori:Youmitori With:
Spark of live
Spark of live by Youmitori

:iconacoresjo88:acoresjo88 With:
holiday hut
holiday hut by acoresjo88



:star::iconamongststars: Honorable Mentions :iconamongststars::star:

Crawling out by gigi50 Light in photography by TomaszPrzybylo
Gold leafs by XeniaChowaniec dusty evening by vularia


Talks with Tolkien artists: DonatoArts

Journal Entry: Wed Oct 15, 2014, 1:48 AM


The interview with a professional illustrator Donato Giancola, who has a deviantArt account as :icondonatoarts: - DonatoArts was conducted a bit differently than the rest of the talks. When I asked for it, he directed me to his extensive FAQ page www.donatoart.com/faq.html , where he already answered many of the questions I meant to ask. So, most of the answers are taken from there, and he only added the answers to my other questions. He already added them to his FAQ as well, so if you are interested in reading a more detailed talk about his work and art, I recommend visiting his page. You can also learn more about his painting technique here: www.donatoart.com/technique/te…

Nienor and Glaurung by DonatoArts Galadriel and Aragorn by DonatoArts
Eowyn DefenderofRohan by DonatoArts Gandalf in Moria- The Three Doorways by DonatoArts
Turgon defending Gondolin by DonatoArts OneRing-BagEnd-donato-900 by DonatoArts


1. Hello! For the beginning, could you tell us something about yourself?

I was born (in 1967) and raised in Colchester, Vermont, USA, a township near Burlington. After graduation from Syracuse University I moved to New York City and have resided and worked in Brooklyn since 1993. My wife and I have two daughters.

2. When did you read Tolkien's books for the first time, and what impression did they leave in you?

I first read The Lord of the Rings when I was 13. Without exaggeration, those books changed my life. The elaborately detailed fantasy, the plot's epic sweep, and the characters' classically heroic qualities grabbed hold of me and never let go. I obsessed over them, frequently referring to the appendices at the end of The Return of the King: Who was Beren? How old Moria? When was the First Age? It took forever to read each chapter as I referenced names, places, and events in those notes: each offered a trip to another time and a story as complex as the tale I was engrossed within. Very so afterwards The Lost Tales, Unfinished Tales and The Simarillion were a part of my canon after reading them at my local library.

I still have the books I first read, with paperback covers by Darrell Sweet. A few years ago I was fortunate enough to be able to purchase his original cover painting for The Hobbit. It hangs in a place of honor in my entry hall.

3. How extensive is your knowledge of Middle-earth? Do you consider yourself Tolkien expert?

I would not consider myself an expert on Tolkien, any more than I would call myself a master oil painter.  Labels are for others to place.  I will state I have thoroughly read The Hobbit, The Lord of the Rings, The Silmarillion, Unfinished Tales, Book of Lost Tales I and II, The Lays of Beleriand, the Children of Hurin, and have begun reading the further collected notes by Christopher Tolkien.  Can I write messages in Elvish? No.  But I can hold a conversation on Beren and Luthien and their trip into Angband, discuss the building of Orthanc, or talk about the time Sauron was seen as a friend to the Elves and helped them forge the rings of power... So , yes I know my Middle-earth lore quite extensively, but am not a fact checker.

4. When the movies came out, many of the inner pictures of characters and scenes in the mind of the readers have been replaced by actors and settings from the movie. Did it happen to you as well? Did you try to prevent it?

When the recent movies interpreting the Lord of the Rings were released, many artists became heavily influenced by what they saw onscreen.  A movie is a very powerful form of artistic expression through the use of atmospheric lighting, movement through time, experiences of scale and immersive sound- it is easy to have the world view of the content dictated by what happens on the big screen.  Luckily I am not one of those easily swayed.  

That is not to say there are designs and elements which I found utterly compelling to absorb and enter into my visual language of painting, but rather my expression of Tolkiens’ Middle-earth was set long and very deeply before the movies were released.  One of the major pivotal experiences came when I was 16 years old and a friend handed me the Tolkien Bestiary edited by David Day and included the amazing work of Allan Curless, John Blanche, and most importantly Ian Miller.  Here in my hands was a stunning collection of art inspired by the words of Tolkien, and all of it through various artistic expressions.  This pluralistic tome made it easy to see my own art as a valid form in interpreting and adding to the voices singing the praises of Middle-earth.  It has been that way ever since.  Each new artist I discovered interpreting Tolkien was just another voice in the chorus. Peter Jackson now takes a seat next to Alan Lee, Ted Nasmith, John Howe, Darryl Sweet, David Wenzel, etc...  All equal, and none better than another.  Just different.

Thus I did nothing special when I experienced the films in order to protect that artistic voice I hold.  It was so deeply rooted that the movies blew past like a wind storm, dropping their wonderful treasures about my play space.  And when they are gone I will continue in my journey in seeing Middle-earth as a conversation between me and J.R.R Tolkien...


5. Now, could you tell us something about you and art? Are you a professional artist, or is art just your hobby? When did you start doing it, and who or what influenced your style?

Drawing was my passion pretty much from the time I could hold a crayon. Throughout childhood and adolescence I made models and toys, copied pictures of military hardware and spaceships, and produced 8mm films. Dungeons & Dragons particularly channeled my creative energies. To support my avid play, I painted lead figurines and created detailed maps and character drawings. (One of the more elaborate maps hangs in my studio today.)

Art was a passion, but only a hobby, as my formal art training came late. After starting in electrical engineering at the University of Vermont, I dropped out that course of study in the middle of my third semester. My grades were fine, but I felt frustrated with and unmotivated by the lack of creativity in engineering classes. Uncertain of my path, I enrolled in an art course for my very first formal lesson. After creating some horrible oil paintings, I realized I needed guidance - lots of guidance.

In 1989, I enrolled at Syracuse University, majoring in fine art painting. The exceptional faculty at SU introduced me to the key concepts that underpin all great art: color theory, composition, anatomy, paint techniques, experimental drawing, and post-modern, modern and abstract theorizing. SU also gave me a studio, and I spent nearly all my free time in it, working not only on class assignments but also on numerous personal projects. I worked relentlessly during my three years at Syracuse, finishing my BFA in 1992.

I find inspiration through studying the world's greatest art masters, in the real world about me, and in photography. Some of each of these elements can be found in my most successful works.

Some of my favorite painters are Hans Memling, Jan Van Eyck, Velazquez, Caravaggio, Vermeer, Rembrandt, Ribera, Rubens, Titian - and Mondrian. I strive to bring their complexity into my work, melding classical aesthetics with modern abstraction.

You can see both types of influences in some of my illustrations. For example: Cartographer is inspired by Lorenzo Lotto's portraits; the dense compression of figures in Faramir at Osgiliath combines Caravaggio-like renderings with Modrian's surface patterning; and the vertical columns in Ashling recall Barnet Neuman while building upon the atmospheric illusions of Van Eyckian perspectives.

Visiting the actual paintings is what most inspires me. While images of many great paintings can be readily found in books, nothing impresses as much as being in the presence of the real works. How can a book convey the almost overwhelming scale of a 16' by 10' Velazquez painting, with life-sized figures? Or the squinty, exquisite detail of a tiny, 8Ó x 12Ó Van Eyck? I habituate the many great museums in my home city, New York, and no vacation is complete without a pilgrimage to another great art museum.

6. How do you choose which scenes and characters to illustrate?

I have always sought great challenges in my art. To this end when looking for inspiration to illustrate novels and stories, I have always attempted to render those moments which are ill described or fleeting in nature, yet capture the essence of the characters and narrative. Simple 'domestic' scenes are difficult to compose to appear compelling, yet a successful painting in this manner can carry much more power than a heroic battle scene. Consider your reader and viewer, they most likely have never experienced the intensity of conflict nor the range of extremes most heroes travel through. It is upon a common ground of emotion with which I attempt to build my narratives. And it is with these simple scenes that J.R.R. Tolkien makes us feel the humanity of his characters; the depths of utter darkness in Moria; Merry and Pippin smoking pipe weed after the destruction of Isengard; Frodo and Sam cooking a brace of rabbits in the Shadow of Mordor.

7. What art technique is your favourite? Do you rather keep to the art techniques and styles you are familiar with, or do you experiment with new ones as well?

My studio contains many different oil paints, brushes, turpentine, linseed oil, palettes, paper, Masonite, panels, art boards, rags, easels, photographs, cameras, mat boards, frames, studio lights for photographing models, and props for the models (cloths, costumes, etc.). My shelves are filled with books of reference for costumes, landscapes and architectural designs. My office contains, a computer, printer, various papers, templates, rulers, etc.

The most necessary and favorite tool I could never do without is a pencil.

Currently the increasing presence of digital illustration with its faster production time and on-the-fly-changes is shrinking the market for traditional illustrators who work by hand. Nonetheless, those with creative ideas and the strong skills to realize them can still find a niche. Furthermore, digital hardware still does not substitute for a powerful idea, strong composition, and developed narratives which form the foundation for all quality art, no matter how it is made.

8. Do you use references?

When creating an illustration I primarily work from photos but always produce gesture drawings from live figures. The many happy accidents and discoveries that occur from real life cannot be anticipated or made up. I use these gesture drawings as springboards for the final illustrations and paintings.

I don't use 3D models in creating my architecture, dragons or aliens - not from lack of desire but rather from my inability to create a nice miniature.


9. Do you have some tips and tricks you would like to share with the other artists?

Practice. Practice. Practice. Visit galleries, exhibitions, other artists studios, and museums. Take art classes and try to draw things you like. Learn to struggle. Challenge yourself constantly and learn to draw people.


10. Could you give us a link or thumbnail from your gallery of
- a Tolkien illustration you are most proud of?
'I threw down my enemy' - Gandalf on Zirak-zigil by DonatoArts

- a picture from other fandom or original picture you are most proud of?
Joan of Arc by DonatoArts

- a picture that fits your current mood?
Bag End - Shadow of the Past by DonatoArts

- a picture that was hardest to paint?
Huor and Hurin Approaching Gondolin by DonatoArts

Thank you for your time and answers!

Previous talks:Bullet; Blue with Gold-Seven fav.me/d6aprnx
                            Bullet; Blue with steamey fav.me/d6bx1lc
                            Bullet; Blue with ekukanova fav.me/d6dzooz
                            Bullet; Blue with Tulikoura fav.me/d6gqc7f
                            Bullet; Blue with AbePapakhian fav.me/d6l0qap
                            Bullet; Blue with kimberly80 fav.me/d6nt0jo
                            Bullet; Blue with jankolas fav.me/d6o41tp
                            Bullet; Blue with jgilronan fav.me/d720ty2
                            Bullet; Blue with ebe-kastein fav.me/d7432vw
                            Bullet; Blue with MatsumotoSensei fav.me/d76jc7r
                            Bullet; Blue with TurnerMohan fav.me/d78r8wr
                            Bullet; Blue with ullakko fav.me/d79rfcc
                            Bullet; Blue with batwinged-squirrel fav.me/d7aoebk
                            Bullet; Blue with wolfanita  fav.me/d7awlf3
                            Bullet; Blue with marisoly  fav.me/d7awlg4
                            Bullet; Blue with kaijukid  fav.me/d7n5duj
                            Bullet; Blue with faQy  fav.me/d7ox700
                            Bullet; Blue with hitogata / kittykatkanie  fav.me/d7qsais
                            Bullet; Blue with spiegelscherben  fav.me/d7r6bdi
                            Bullet; Blue with The-Black-Panther  fav.me/d7r8jjz
                            Bullet; Blue with SceithAilm  fav.me/d7vtf2s
                            Bullet; Blue with Candra Talks with Tolkien artists: Candra
                            Bullet; Blue with evankart Talks with Tolkien artists: evankart
                            Bullet; Blue with greensap Talks with Tolkien artists: greensap


Rohirrim journal skin.

Horse head 2009 - Grinmir-stock
Texture by kizistock
Knotwork by gbrgraphix

Talks with Tolkien artists: greensap

Journal Entry: Wed Oct 8, 2014, 6:26 AM


A Hobbit and a friend of Ents - that's how the talented artists :icongreensap: - greensap introduces himself. Before reading his answers to my questions, you can take a look at a few pictures from his gallery:

The Tale of Beren and Luthien by greensap Feathered Friends by greensap

from Frying Pan into the Fire by greensap ShieldMaiden by greensap
Oldman of the Woods by greensap The Dragon`s Waistcoat by greensap


1. Hello! For the beginning, could you tell us something about yourself?


My name is Terry Ernest, I come from a long line of hobbits. Born and bred in the village of Pinhoe in the Shire of Devon, England, we 'ave a saying down 'ere in devon :
Devon born,
Devon bred,
Strong in the arm,
Thick in the head... ha!

2. When did you read Tolkien's books for the first time, and what impression did they leave in you?


I was about seventeen when I first started to read the Hobbit. After the first chapter I almost put the book down, thinking it was more suited for my younger bother or sisters, but decided to persevere for three chapters ... and then I was hooked.
I went on to read "Lord of the Rings" , and never wanted the books to end.
Some part of my heart, will always remain in middle earth.

3. How extensive is your knowledge of Middle-earth? Do you consider yourself Tolkien expert?

Although I've read all the books several times, I don't have a great depth of knowledge, I'm very dyslexic and really struggle with language ... (thank god for the spell checker ha!) . I'm very slow when it comes to reading, and will sometimes reread though a paragraph, so I can really see the story in my mind eye in a visual way.

4. When the movies came out, many of the inner pictures of characters and scenes in the mind of the readers have been replaced by actors and settings from the movie. Did it happen to you as well? Did you try to prevent it?


Yes unfortunately that's inevitable to some extent, and in some cases the movie coincided with the my own concept of the scene's and characters. There are still some characters that I retain in my imagination, and still a few more that needs to be developed, Jackson won't be the last word, where Mr Tolkien work is concerned ... There will be other versions of the hobbit and lord of the Rings, and hopefully closer to Mr Tolkien's narrative, probably by then, we will all be able to experience the movie in an immersive interactive way...

5. Now, could you tell us something about you and art? Are you a professional artist, or is art just your hobby? When did you start doing it, and who or what influenced your style?

I like to think my artwork is close to being professional, but my attitude is far from being professional. Originally started Drawing around 13 years old, went on and spent three years at exeter collage of art.
My influences came from the mainstream of the great Artists through out history, and of course the daddy of all fantasy, Frank Frazetta.
I'm an admirer of the artist Stephanie pui-mun Law... I live in hope that some of her professionalism and work ethic will magically be spirited into me, and
my Artwork. Alan Lee and John Howe are the two Tolkien artists I respect, the former, only lives about 10 miles away, as the crow flys, and draws his inspiration from the same well as I do, Dartmoor.

6. How do you choose which scenes and characters to illustrate?


We'll I originally started with conceptual drawings of the most difficult characters to visualise , like Gollum, and Bilbo. Mr Tolkien renders wonderful images in your mind when you read his literature. Gandalf was a must, and Treebeard, and oh so many wonderful scene's and characters ... The movie is pale reflection in comparison to his Books.

7. What art technique is your favourite? Do you rather keep to the art techniques and styles you are familiar with, or do you experiment with new ones as well?

Oils, acrylics, carving, 3d modelling via light wave, crayons, modelling with plastercine, my favourite has always been gouache, and watercolour.
Experimenting with art has alway been near to my heart.

8. In several of your drawings, you make perspective an efficient tool to make the picture interesting. Do you use a geometric approach to get it right, or draw it just from your imagination?

First I read the the part of the story I want to illustrate , and then can visualise several pictures in my mind, as with "from the frying pan into the fire" the only way to get the whole narrative into one picture, was to either to see the scene lying on ones back on the ground, or from a birds eye view looking down. To be able create this you need to have some fundamental knowledge of perspective. I'm certainly not an expert in using perspective, but I know enough to get by.
Composition for me, is always best when I let it flow naturally. I will use rulers, and compass, or any round object lying around, if the composition needs be. No matter how hard or impossible the picture that my mind conjures up, I will attempt it ...
and usually full flat on my face ...ha!

9. Do you have some tips and tricks you would like to share with the other artists?

I do my precious, but there mine, all mine! ... Don't trust anyone with the name of Baggins, ha! ...

always leave the viewer with some mystery, about your painting, because if you tell everything about your work you leave nothing for the imagination.

Use the online free university "utube" you can learn anything you need to know about creating Artwork .

10. Could you give us a link or thumbnail from your gallery of


- a Tolkien illustration you are most proud of?
Journey into the Shadows by greensap

- a picture from other fandom or original picture you are most proud of?
Yavana Garden by greensap

- a picture that fits your current mood?
Sacrifice by greensap

- a picture that was hardest to paint?
Conversation with a Dragon by greensap

- any other picture you would like to share with us and why?
The Great Adventure by greensap
We'll it achieved a DD thanks to MirachRavaia :) (Smile)

11. What key people in your life, (on or off of dA) have been inspirations to you, or has supported you, as an artist? You can also tell us why, if you want.

To be honest MirachRavaia has been great support here on DA to me, and many others in a true elven fashion.

I've been inspired by Steph Law ... I stepped into her fae world seams like yesterday in late 98 and now it's 2014 ... The old tales are true about stepping into magical fairy dance ... :D (Big Grin)

Stag Sonata Cycle: Scherzando by puimun
The many lovely people who have come into my gallery, and have taken there time to comment on my ArtWork, over the years Deviantart and Elfwood where I started, which is sadly not working anymore , and Epilogue.

12. Is there some artist(s) at dA you know, who doesn't have as much attention as they would deserve? If yes, could you give us some thumbnails from their gallery?


This is one flame that I flutter around.

Swallow her superb imagery in her poetry
:icontsubame-33: - tsubame-33

13. Is there something else you would like to tell to the fans of Tolkien and your art?


Only to those of you, who are movie fans, and have never read the Mr Tolkien's Books ... Do be kind to yourself, and read the Hobbit and the trilogy, there's so much more to middle Earth ... Love & light ...

Thank you very much for your time and answers!


Previous talks:Bullet; Blue with Gold-Seven fav.me/d6aprnx
                            Bullet; Blue with steamey fav.me/d6bx1lc
                            Bullet; Blue with ekukanova fav.me/d6dzooz
                            Bullet; Blue with Tulikoura fav.me/d6gqc7f
                            Bullet; Blue with AbePapakhian fav.me/d6l0qap
                            Bullet; Blue with kimberly80 fav.me/d6nt0jo
                            Bullet; Blue with jankolas fav.me/d6o41tp
                            Bullet; Blue with jgilronan fav.me/d720ty2
                            Bullet; Blue with ebe-kastein fav.me/d7432vw
                            Bullet; Blue with MatsumotoSensei fav.me/d76jc7r
                            Bullet; Blue with TurnerMohan fav.me/d78r8wr
                            Bullet; Blue with ullakko fav.me/d79rfcc
                            Bullet; Blue with batwinged-squirrel fav.me/d7aoebk
                            Bullet; Blue with wolfanita  fav.me/d7awlf3
                            Bullet; Blue with marisoly  fav.me/d7awlg4
                            Bullet; Blue with kaijukid  fav.me/d7n5duj
                            Bullet; Blue with faQy  fav.me/d7ox700
                            Bullet; Blue with hitogata / kittykatkanie  fav.me/d7qsais
                            Bullet; Blue with spiegelscherben  fav.me/d7r6bdi
                            Bullet; Blue with The-Black-Panther  fav.me/d7r8jjz
                            Bullet; Blue with SceithAilm  fav.me/d7vtf2s
                            Bullet; Blue with Candra Talks with Tolkien artists: Candra
                            Bullet; Blue with evankart Talks with Tolkien artists: evankart

Rohirrim journal skin.

Horse head 2009 - Grinmir-stock
Texture by kizistock
Knotwork by gbrgraphix

NaNoWriMo + my fanfiction

The Heart of the Mountain - synopsisA man knelt on the blood-soaked battlefield. He was the last one. The last of the Ar-Venui, the Swords of Death: Nothing to live for, just looking for something to die for. A sword was hanging above his head. The last rays of the dying sun were like a road to the oblivion…
And the sword did not fall.
---
I am your only faithful one:
the lover of your pains
And when fate rides a chariot
them I'm holding the reins
Listen!
A song beats in your veins

---
Once, long ago, Ar-Tenil had a wife, and a son that had to be born soon. Then the Lowlanders came to conquer the Mountains and discover the place of a great power from an old legend – The Heart of the Mountain. He never heard of that place. The chaos of fight, one moment, one decision. He saved many lives that day – but for them, his wife died. Now he is looking for the sons of the women he saved, to take them as a repayment of their debt, and train them as the new Ar-Venui. But a surprise awaits him - not all of them


My stories from Middle-earthI usually do not post my fanfiction stories here at dA (and won't until they enable to post multi-chaptered stories as one deviation, otherwise it would make a mess in my gallery...) I post them under my fanfiction.net: http://www.fanfiction.net/u/1740140/Mirach and Stories of Arda account: http://www.storiesofarda.com/author.asp?AuthID=2706
Now I got the idea to post at least the links to them here, together with the banners and illustrations. My stories feature mostly Aragorn, and several also Eärendil, but there are a few with other characters as well. I will update this journal when I post a new story.

:new: No Regrets and Riddles in the Dark - in "other one-shots" (posted some time ago, but I forgot to update this journal
IN PROGRESS
:icontolkienplz:

Art for Trees & Treasure hunt!

:icontreehuggerplz: Art for Trees - project:iconspringtree-1plz::iconspringtree-2plz::iconspringtree-3plz::iconspringtree-4plz::iconspringtree-4pl5:
"When is the best time to plant a tree? Twenty years ago. The second best time? Today."
- Chinese proverb
2014: This is the 3rd year of the project. There are many people supporting it, featuring it in their journal and offering art. BUT... There have been NO trees planted for it in the last year (I don't count mine). So, instead of talking about it, how about getting up and actually planting a tree, if you are able to? There is a lot of wonderful art waiting for you as a reward!
Trees are important, valuable and necessary to our very existence. It's not too hard to believe that, without trees we humans would not exist on this beautiful planet. Trees are the largest and longest living organisms on earth. To grow tall the tree has become a miracle of engineering and a complex chemical factory. It is able to take water and
:icontreehuggerplz:
:? sifro. - solve the codes and win points! IMPORTANT: the login into the submmitting system currently doen't work. I'll try to fix it somehow, but until then, the "Try it without login" link still works. If you submit the solution to a cipher, it will give you a link to the next one. It just won't remember your position in the game, so better save that link, or remember the solution so you can get it again.
:new: July/7/2014 - After a year and half, we finally have a next winner! It's Dimensionwalker21, winning 360 points. Congratulations!
Dec/24/2012 - We have a next winner! It's WintersRead, winning 306 points!
Nov/11/2012 - The second winner is nuvak! He generously refused the point reward, so there is still a lot of points in the pool for the next winner!
Oct/12/2012 - We have the first winner! It's ninquetari, who wins 475 points!
The easy day was yesterday! Today, the game begins! And It's just in time for dA's birthday! :D
IMPORTANT LINKS:
:?

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:iconthefavouriteshowcase: :iconthelotrclub: :iconarda-inspired: :iconthegreenmangathering: :iconelves-of-tolkien: :iconofberenandluthien: :icontreelovers: :icontreephotographers: :iconcrcommunityprojects: :icondetective-hq:

Contests around dA

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:iconmirachravaia:
MirachRavaia Featured By Owner 1 day ago  Hobbyist General Artist
:iconrbyw:
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:icontamsinmwong:
TamsinMWong Featured By Owner 3 days ago  Hobbyist General Artist
Many thanks for the fave! Hug 
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:iconmirachravaia:
MirachRavaia Featured By Owner 3 days ago  Hobbyist General Artist
:iconrbyw:
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:iconaesara-dayne:
Aesara-Dayne Featured By Owner 4 days ago  Hobbyist Writer
Mirach,

The interview series you inspired has debuted today, and as promised here's the link to read it: Illustrating Westeros: ASOIAF Artists Speak

Thank you so much for your support, and we hope you find it enjoyable! :)
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:iconmirachravaia:
MirachRavaia Featured By Owner 3 days ago  Hobbyist General Artist
Great interview!
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:iconaesara-dayne:
Aesara-Dayne Featured By Owner 3 days ago  Hobbyist Writer
Thank you, Mirach. :)
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:iconancaxbre:
AncaXBre Featured By Owner 5 days ago  Student Traditional Artist
Thanks for the fave:)
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:iconmirachravaia:
MirachRavaia Featured By Owner 5 days ago  Hobbyist General Artist
:iconrbyw:
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:iconkhalizya:
Khalizya Featured By Owner Oct 8, 2014
Thank you very much for all those favs! ;)
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:iconmirachravaia:
MirachRavaia Featured By Owner 5 days ago  Hobbyist General Artist
:iconrbyw:
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